How I Got Into African American Environmental History!

That's Me on the Right

I have been doing diversity and environment since the  early 1990’s. It started for me in the M.A. program in the History Department at Stony Brook University. When I transitioned to the Ph.D. at Stony Brook, I said to my dissertation advisor that I wanted to write my dissertation on African Americans and the environment. She gave me a blank look and said there was no one in the department, probably the whole country, who could advise me concerning my topic. Well, I forged ahead, struggled really. I finally finished my dissertation with some help from Mart Stewart, an outside advisor on my dissertation committee.   

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 What is African American environmental history? 

Carl Anthony gives us a definition: “African American environmental history is concerned with questions of environmental justice in the past; patterns of exploitation within society that have limited African American access to nature and the fruit of the community engagement with the environment; African American resistance to that exploitation and mobilization to confront environmental injustice; ways that African Americans have acted on the environment and have been affected by it in everyday life; the historical environmental health exposures and risks to African American communities; the role African Americans have played in helping to build sustainable societies. (ASEH News, American Society for Environmental History, Spring 2006, 9)    

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When I began doing the work on African American environment there were no definitions. Even today, if you google African American environmental history, a definition does not pop up. That’s so unlike google.  One of my early efforts in working towards defining African American environmental history was an article on African American women and gardening

In  my personal and professional struggle, I have been an academic for many years. There were few people of color I could count on, and that I knew of who working in various areas concerning diversity and the environment . So my cohorts and primary audience were mainstream academics. I was frustrated and alone, often asked, “Where are the white people?” in my narratives and analyses. 

From Black Enterprise

I still teach. I still think like a historian. In many ways, I still write like a historian. What’s different though is I have more people to connect with now that I’m writing for a broader audience with the upcoming book and my ongoing blog. 

I have Rue Mapp, Jarid Manos, Rona Fernandez, EcoSoul, James Edward Mills, Evonne Blythers, Phoenix Smith,Danielle N. Lee,  Audrey Peterman, Dudley Edmondson, and so many more. And thankfully, I have all of you!

Vibe Vixen O’ De’ Day: Responsibility, Environment, and Jewels

Anybody remember Vibe Vixen? The magazine didn’t last very long. Yet I miss flipping through the pages.  We still have the memories easily googled or binged on the internet. Here’s Kimora Lee Simmons on the cover going back to 2006.

Inside the pages of the magazine, I found some tips on being environmentally responsible concerning jewelry.  Go to page 95 for more. Hey, black people care about the environment too!

More people started thinking more about the source of their jewelry including blood or conflict diamonds with the theatrical release of “Blood Diamonds” starring Djimon Hounsou and Leonardo DiCaprio came out. Kayne West even rapped about the jewels in “Diamonds from Sierra Leone.” My favorite part is Shirley Bassey laying down the track singing the classic “Diamonds are Forever.” A few of Kanye’s lyrics:

Good Morning, this ain’t Vietnam still
People lose hands, legs, arms for real
Little was known of Sierra Leone
And how it connect to the diamonds we own
When I speak of Diamonds in this song
I ain’t talkin bout the ones that be glown
I’m talkin bout Rocafella, my home, my chain
These ain’t conflict diamonds,is they Jacob? don’t lie to me mayne
See, a part of me sayin’ keep shinin’

Learn more: “Diamonds of War: Africa’s Blood Diamond.”