In my book Rooted in the Earth: Reclaiming the African American Environmental Heritage, I open each chapter with literary or fictional vignettes. Read the first paragraphs of Chapter 4 titled “Resistance: Rebellion, Sustenance, and Escape in the Wilderness:
Joseph dreams that he is a revered priest in West Africa, where his people, the Gruma of the Akan, all call him Minkah, which means justice. Some of his priestly duties revolve around nature—blessing a field, pouring libations with water onto the ground to revere the ancestors, and tending to the village’s earth shrine. Minkah strides through the forests and sees a vision of a long leaf pine that weeps and shakes like a small child.
Awaking from his reverie, Joseph realizes that he is this child, who has ended up enslaved. Now, north of the city of Mobile between the Tombigbee and Alabama rivers, he is far from his ancestral home in Africa. Yet he is comforted by the familiarity of leaves falling from the branches of the trees onto the uneven floor, a patchwork of sunlight and shadows in the forest.
Joseph’s visions and dreams have momentarily liberated him from the bondage of enslavement with thoughts well suited for the making of a runaway. Intuitively, he is comfortable and familiar with the woods and waterways surrounding the plantation. Joseph runs away for one- to three-day stretches, relying on his knowledge of nature, which originated in Africa, to survive. The first few times Joseph runs, Matthew Samford—the slaveholder of a two-hundred-acre plantation kept productive by seventy-five enslaved people— tracked him with dogs . . . (57-58)
My goal in using the fictional vignettes was to give thehistorical perspective of the book some “flesh.”