Iron Man 2: The Machine, Garden, and Gulf

 

    

Tony Stark, the principal character in Iron Man 2, is back with his narcissism intact. Singlehandedly wearing THAT armored suit, he’s ended war around the globe by the second installment. He thinks very highly of himself being the planet’s peacekeeper and all. Of course there are two villains because the film wouldn’t be based on a Marvel Comic without them: Ivan Vonco–the son of the scientist who once worked with and was betrayed Tony’s father and Justin Hammer–a defense contractor and Tony’s corporate antagonist.  

Parts of the film, including the first scene, are in Flushing Meadows Park, transformed into a CGI Disney fantasy-world, an amped technological corporate park. This aint the park from my childhood. Today, Flushing Meadow is a sprawling place in much need of upkeep like many city parks across the country. The park is best known for the location of the World’s Fair in1964/1965. One of the most compelling fixtures of the park has been a large weeping willow I often saw driving on the Van Wyck Expressway that borders one side of the park.  I didn’t see that willow in the movie. Welcome to CGI.      

So fast-foward to the second half of the film in which Tony watches some old footage of his father. Leaning back in a chair, Tony rediscovers his father’s model for a future tech-filled Flushing Meadow Park.   His father ascribes to the mantra: “The key to the future is here.”  Tony is not far behind.

Propelled by his father’s vision, Tony creates a new element. He bases his work on the globe in the park by his father; I’m not sure about the science here but Tony turns theory into a chemical element–you know from the periodic chart.  Can people create new chemical elements? I guess Tony can because he is a self-made god: he takes the new element to heal his ailing body and enhance his suit like a god on Olympus. Tony plugs the element into his chest and says: “It tastes like coconut . . . And metal.” Yummy. The power to destroy tastes like coconut.  It’s ironic that the globe as scientific inspiration destroys part of planet earth in Flushing Meadow Park towards the end of the film.     

Tony runs with it. His Iron Man suit is the key and future, and its here. Tony, his best friend James Rhodes, the evil Vanco who is living out his father’s raw deal, and the droids are all suited up.    Can one be well-meaning in the throes of narcissism? Iron Man does attempt to do so in lunatic hot bad boy mode. Great hair . . . Great goatee . . . Wearing his signature wife beater under his suit, Tony attempts to lead some flying destructive droids away from Flushing Meadow Park but that doesn’t work. He ultimately contributes to some environmental mayhem as he battles evil.   

      

Iron Man Makes His Big Entrance

At the fantasy park,  one element of World’s Fair remains including the unisphere, a representation of planet earth–the same planet that influenced the development his new element. Tony is both a destroyer and a savior.  He leads the droids into the metal unisphere, earth. He damages the unisphere. Ping ping ping–many of the droids go down and metaphorically the earth gets no respect.    

In another scene, Tony and James land (thump) in a Japanese garden inside a conservatory. I do not believe such a garden exists in the park so this is another creation for the purposes of the film. The filmmakers carefully construct manicured garden that does not truly parallel nature in the purist sense. In the battle, they laser down trees at mid-trunk. They burn, bomb, and laser this manicured garden; it is unrecognizable by the time Tony, James,Vonco, and the droids are done with it. Tony and James win the battle. They stand triumphant, machine over nature, in the wreckage of the Japanese garden. They don’t even consider the environmental disaster they have created. The military industrial complex has done it again.    In the closing credits, a Disney inspired song trills. Here’s the instrumental version: Make Way for Tomorrow Today. Tomorrow’s here and machines are in the garden much like BP in the Gulf.  The oil company is struggling to seal a ruptured pipe spewing oil into the Gulf of Mexico. Pelicans are drowning and smothering in crude oil. Shrimpers and fishermen have lost their livelihood. A Greek-like tragedy flashes daily across the screen on CNN much  like the environmental morality tale called Iron Man 2. 

Ok, so the producer and director are not responsible for the Gulf Crisis. But the movie they produced and directed is speaks to what ails people and the planet in the year 2010. Though the disaster in the Gulf caused by BP started after Disney filmed the movie, the scenes inside the unisphere and garden reflects a troubling disregard for our Mother Earth that goes back millenia.

We want the Gulf back the way it was. We don’t want that burned Japanese garden.   

Photos by Dianne Glave Unless Otherwise Noted

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4 responses

  1. Wow…interesting parallels to current predicaments you draw here. I did see the film and took it for what it was — a polished, star-studded comic book movie sequel. I’m not generally a big fan of comic book films, and this one I found adequate (as I did the first).

  2. David, thanks for coming by and reading. I’m honored. It’s like the old scifi movies from the Cold War like the first b&w Invasion of the Body Snatchers. The writers, producers, and director may or may not be cognizant of how they are mirroring people’s angst but it is often there on film. The environment has been increasingly more important as time passes in the world including the US.

  3. I think you are on to something there. I like when films are working on an unconscious level tapping into cultural fears (or mores). I wonder what other recent films would you put in this category?

    More clumsily (consciously and overtly) Avatar and The Happening played on fears surrounding the destruction of the environment.

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